Pinstripes & parasols

pinstripe skirt

Now there’s nowt very exciting to say about a pinstripe pencil skirt. It’s pinstripy and pencilly… and that’s about it really. But it can’t possibly go without documentation, especially since Mr O and his buddy the camera made it look more interesting than it actually is!

pinstripe skirt outside St. Pancras station

I self-drafted the pattern so it fits well and it used up just under a metre of leftover wool-mix fabric and  a piece of purple stash lining which makes it cost-free, sort of!

pinstripe skirt and parasol

The main reason for making a garment so dull, was to rehearse the fitting process before I make a long awaited-skirt for my friend, who bid for it in the school auction! (More about that soon hopefully). But dull and boring as it may be, this skirt does make for a great go-to for work.

back of skirt

I made it a last week but needed some divine inspiration before shooting it. And then I spotted these beautiful brollies over at Masato Studio Boutique! (Yes, they are brollies and not parasols but that would kind of ruin the whole alliteration thing, don’t you think?)

Red Umbrella

It was well worth the investment. Total distraction from skirt but much more interesting photos… win! My little red beauty is made by Love Umbrellas. They do some really cute heart shaped ones too. Rainy days most certainly wont get me down any more!!

pinstripe skirt

Mr O took these shots around St Pancras Station, London, today, Just after I had the most lovely lunch with some of my favourite sewing ladies: Amy, Sally, Clare, Rehanon and Alison. They had all done their fabric shopping in the morning and I was so pleased to catch them for a couple of hours and a couple of G&Ts over at Drink Shop & Do. Boy I love that place! Should have really got Mr O up earlier to get an impromptu shot of us all but heyho can’t have it all!

St Pancras Station

Couture Inside Out

I’m fresh back from the ‘Couture Inside Out – 1950s Paris and London’ workshop at the London Fashion and Textile Museum.

Must blog straight away for fear of forgetting anything! After all I forgot notebook and pen in the first place!

First treat of the day was that I got to meet and enjoy this experience with Handmade Jane. It’s always so good to have like-minded people to raise your eyebrows at, make ‘ooo faces’ with, and give knowing looks to, during a lecture!

It was a very informal 2-hour affair with such amazing content divulged by the lovely Dennis. We donned our white cotton gloves and prepared to soak up all the info we could.

The first thing I learned (and remembered) was the definition of ‘haute couture’. (please spare me if I’ve got this wrong!) It is a term used to describe the highest level of hand-sewn, bespoke garments, in Paris by a delegated team of incredibly experienced seamstresses to strict regulations. Interestingly enough it was a term that was originally associated with the fine work of Charles Worth who was an Englishman.

Of course we have couture in the UK but with much more relaxed rules, apparently!

As the garments were presented, on a white covered table, the polite student audience jostled for position to get a better view and a feel and a photo.

First up was Dior. A gasp as the two Dior creations were revealed from under the tissue.

The fact that both were aged: faded, stained and torn, did not deter from the unanimous awe.

Both dresses were in two pieces which was intriguing. Nothing like a skirt and a top. So much clever scaffolding with fine underskirts attached to the bodices. No waist-stay required.

dior cream dress

Every little bit of both of these dresses were hand-stitched!! Including the tiny rolled hems on all the chiffon layers. Beggars belief!

Please excuse the fuzzy photos taken on a phone whilst being too polite to jostle too much!

dior embroidered dress

dior embroidered dress detail

Next up was a later Dior in a really heavy weight fabric. I will be looking at furnishing fabrics in a totally different light from now on. This was heavier than any curtaining I have ever felt.

It was laid out on the table, ready for inspection! A gorgeously shaped one-piece dress. Made for someone who clearly didn’t eat that much. The waist was super tiny. The seam allowances on the other hand were enormous. At least one and a half inches. All pressed open and hand finished. The fabric had a ridged, pin-tuck like texture. All the rows of which lined up perfectly on the side seams.

dior later dress

No lining, which was a surprise. Though the dress was underlined and interfaced.

dior dress inside

Chanel then graced the table with black contrast dress and two piece skirt suit. Both very classically Chanel.

Chanel black dress

The bling was upfront and out loud on this one but only took shape as a collar detail and chain weight in the hem on the set below.

chanel skirt suit

Chanel only incorporated details if they worked and if they were functional. The little ‘petal’ pockets sit at the hemline, precisely centred with the seams. The chain weights are typically seen in Chanel hemlines. She was obsessed with the way that fabric hung and remained throughout wear and this little trick became one of her many signatures.

chanel_hem_weight

Far removed from the finer details of Chanel but not to be sniffed at, is the work of Balenciaga. This Spanish master draped most of his designs and employed much fewer seams than other designers.

This coat was A blooming Mazing. My rubbishy i-phone photos do not do it any justice whatsoever. Firstly the colour. Secondly the texture of this fabric… OMG. It was hand created to get this incredible effect. And yet the design remained oh so simple. I can’t tell you how much I want this coat!

balenciaga green coat

I didn’t care too much for Balenciaga’s Sarong Dress. But you gotta take your hat off to someone who incorporates so much into the under-scaffolding of something that fundamentally looks like a sarong!

balenciaga sarong

Now, will I get shot for not having heard of Courréges? Probably. As these designs were pretty iconic!

courreges blue dress

Jane got right in there! Impressed by those perfectly bound buttonholes.

courreges coat

Dennis couldn’t be sure of the fabric that this Pierre Balman dress was made. It kind of felt like the sew in canvas that I recently used to interface my jacket! But it was gorgeous and necessary to keep that amazing shape. There were cutouts trimmed with velvet at the hemline and on the sleeves.

pierre balman dress

Of course it goes without saying that every detail counts. Balman even ensured that his labels were mitred.

Pierre Balman labels

The following is a really bad picture of the Ellie Saab dress that Halle Berry wore to the Oscars for Best Actress, The Monsters Ball. In stark contrast to the dresses that were 50/60 years older you can see no seam allowances, no underskirts and no hand stitches to speak of. It is undeniably a gorgeous dress and she looked amazing in it, but it is incredible how standards have changed over the years!

Ellie Saab dress

I cannot for the life of me remember who designed this dress but the fine pleating in the linen was unbelievable. An underlayer of shimmering copper gave a depth to the translucent linen and you could also see where the pleating was tacked.

(Thanks to the lovely Angela, I can now confirm it was Sybil Connolly!)

pleated linen dress

detail of pleat dress

Just when you thought you’d seen it all, something very little left me lost for words. If you look closely at all those painstakingly sewn on eyes, you will see that they are all oversewn with thread!

bound eyes

Now it would have been rude not to have mentioned Zandra Rhodes creations at this very museum. She is the founder, after all!

She entered the fashion world as a textile designer and the following two garments are testament to her designs. I’d never be able to carry these off in a million years but you have to admire her total originality in the way that she designed around the design of the fabric instead of sourcing suitable fabrics for a pre-determined design.

zandra Rhodes tunic

Here is her Knitted Circle dress. So called because the fabric design is made up of graphic knitting stitches. I swear there is more fabric in one of the sleeves than in the whole dress!

Zandra Rhodes circular knitted dress

knitted circle design

Both Jane and I left the workshop in a fuzzy reassured kinda way. It made us proud that we hand made our own clothes, albeit perhaps not to the same level of lavishness but there was nothing on show that we could not have handled. Give us a year or two for a deadline and we would gladly knock one up. But perhaps we might delegate the binding of the hook and eyes to someone else!

I did wonder whether I should have posted in so much detail so as not to spoil the experience for future visitors but really, you have to be there to actually see it. You have to feel and you have to hang onto every word that Dennis speaks because he knows everything there is to know!

Vintage 1950 Vogue Jacket

vogue 2934 jacket

And here it is, at last, that tasty little Vogue jacket as inspired by that classy little lady, Ms Nicole Needles. It had to be done. I couldn’t resist!

The pattern is V2934, a reproduction of an original 1950 design. Such a clever and very simple pattern that would whip together so quickly if it weren’t for all the hand stitching. Which, strangely enough, I didn’t mind at all.

vogue 2934 jacket

I’m loving the dolman sleeves and the big cuffs which nicely balance out the short cropped cape-like body.

vogue 2934 jacket

I used sew-in canvas for the interfacing. Really great stuff! It molded beautifully around the neck and shoulders and was the perfect weight to maintain the shape whilst still allowing drape at the front.

vogue 2934 jacket

Initially, I had a slight concern that this shape might make me look like a Weeble, given my lack o height, but I do believe it does nothing of the sort! In fact quite the opposite. It is amazingly flattering for a jacket that is more like a cropped cape and I love it!

vogue 2934 jacket

It is also so warm and so snug. The outer fabric is a wool blend, exact content unknown but at £6 per metre I’m not really that concerned!

But the inside fabric, however…

vogue 2934 jacket

It is the most lavish lining I have ever used. 100% red silk satin, baby! Costing more than the main fabric –but boy does it feel lush.

vogue 2934 jacket

Did you know these things were called frogs? Neither did I till very recently. But they do the job so perfectly. Takes a while to do them up but I’m sure I’ll get quicker with practice!

vogue 2934 jacket

vogue 2934 jacket

vogue 2934 jacket

OK. That’s quite enough of that serious posing Janene. What this jacket really speaks, (apart from sugar-gliders) is aeroplanes!

vogue 2934 jacket

vogue 2934 jacket

vogue 2934 jacket

vogue 2934 jacket

So never let it be said that black jackets are boring! Or indeed difficult to make. If you don’t mind a spot of hand-sewing the old fashioned way this is such a walk in the park.

vogue 2934 jacket

vogue 2934 jacket

Before I sign off I’d just like to give Little Miss O a mention. While we were busy being crazy she was so patiently sitting and drawing the most beautiful picture that I just have to share with you.

drawing at the Park

Pictures by Daniel James Photographic

Half-circle chic

half-circle skirt

This is my first self-drafted half circle skirt. Made from the finest poly-crepe and lined with some heavy stretch satin because gravity ain’t that clever!

I nearly went for wool crepe which I think would have worked even more beautifully, but the idea of messing up 2 metres @£40 was a little bit more daunting than @£9!

half circle skirt front view

The drape is lovely on the poly and I’m so chuffed with how flattering it is around the hips, but my oh my does that cause nasty stretchy bias hemline issues.

To draft the skirt, cut and sew together is child’s play. And it was a perfect project to practice a lapped zipper too. But to get an even hem on this skirt required patience of some saints. I blogged the other day about my time-starved, light-rationed sewing time so I won’t harp on any more about that but lets just say a massive learning curve was attained with the help of some basic tools, a bit of determination and a few swear words!

half circle skirt with jacket

half circle skirt front

I incorporated 2 buttons as a closure instead of the usual hook and bar and used black bias binding to finish the hem. And no I did not do it by hand!

half circle skirt detail

I so needed another black go-to skirt. And it feels right to go back to black. I do love a pencil skirt but I also love how swishy and elegant this one feels. A little bit Grease and a little bit Mad Men but also very much me. I can even run for the bus in it! Just need a few more 50s style blouses or peasant tops to go with it now.

twirling in half circle skirtAmazing photographs by Daniel Selway

Me-made Malta

Me made in Malta

The Dress That Nearly Wasn’t, dress!

We only just came back last week but wow!… our trip to Malta seems a lifetime in the past.

First time any of us had ever visited the island. Or at least spent any quality time there. And the first time ever we have all been abroad, together as a family! So it was a very precious week indeed.

We stayed in the north, in Mellieha in a beautiful villa with a private pool. It was hot hot hot, even on the day of the storm. Such a fierce one in fact that my eldest daughter’s flight had to make an emergency landing in Sicily, poor love! But all was ok in the end and we certainly made up for lost time when she eventually touched down!

I’m not going to harp on what larks were had or how divine the country is; it’s fascinating history or how peaceful and it was and how immensely friendly the Maltese are… I am simply using this post to express how delighted I was at having some functional me-mades in my suitcase.

It will probably come as no surprise that the top one, and the two following below are all based on the Elisalex dress by By Hand London!

Love of lawn dress

For the Love of Lawn dress. And a rare picture of me and my lovely, care of smallest dort!

vintage rose Elisalex dress

Vintage Roseprint Elisalex Dress

First Summer dress

First Summer dress: Simplicity 2442

70s Dress in Blue, McCalls 2399

70s Dress in Blue, McCalls 2399: A rare picture with my teen son, Alfie

The ubiquitous scabby doorways are so fabulous for showcasing outfits! I wish I could find just one street load of these in London. Ones that wouldn’t have a grumpy resident chasing you off their doorsteps would be a bonus too!

Asides from the usual swimming, sun-worshipping, reading, eating and drinking (sometimes we just changed the order), I did actually manage to get a little sewing in too.

A lickle bit of hand embroidery on a shirt that shall be revealed in all its entirety at a later date:

embroidered initials

Hand embroidered initials

I’m bracing myself for normality next week: kids back to school (yay!) and me back to work (boo!) And I’m getting excited about Autumnal projects. This chilly weather can do all it likes to try and dampen my spirits but it will not triumph over the joy of sewing new things that will keep me warm!!

Happy sewing, peeps! x

For the love of lawn

Red rose print cotton lawn dress

What have you ByHandLondon girls done to me? How am I ever going to make another dress that doesn’t involve an Elisalex bodice?

red rose cotton lawn dress

To be fair, it was the fabric that led the dress time. A three metre bolt of cellophaned gorgeousness that has patiently lain in wait for about 18 months at the bottom of Fabric Mountain. It is a rose printed cotton lawn. So silky soft and so very light, in need of a failsafe design. I haven’t seen this print anywhere since and I wasn’t about to bugger it up in a moment of madness. So, having made some fine fitting adjustments to the Elisalex-with-FBA-test-garment, I was able to go straight to and cut.

red rose cotton lawn dress detail

I toyed with a sleeveless version but having seen a few with sleeves and knowing that I wouldn’t suffer the consequences of plastic under pits, I had to give it a go.

I knew the bodice would be an even better fit than the last one as this fabric has a magical elasticity about it. Not a strand of spandex to be had. Just to do with the fineness and high yarn-count of the weave I think. It really is such a luxurious material. I can’t believe I’ve waited so long to use any.

red rose cotton lawn dress over shoulder

I used the whole 60″ width of the fabric to create the gathered skirt but it looks and feels half as poomfy as the vintage rose version. Just because it is lighter. Further confirmation that at some point I must make a full on layered petticoat. I say ‘make’, because I know I will find it impossible to go buy one, even though I am wincing at all that endless, time-consuming, middle-stare-inducing gathering involved!

red rose lawn dress in the park

The sleeves were easy enough to set in. Well if you inset them the right way round that is! I was wondering why, when I tried it on, the sleeves insisted on twisting round. I thought at first that the FBA had reduced the armscye somwhat, but oh no. Just a tired, dippy moment last night.

Note to self (and to anyone else who has ever made the same mistake): 
2 notches on a pattern piece indicate the back; 1 notch indicates the front

I had the moment of clarity, as I often do, standing in my blurry morning haze, under the shower head. A Eureka moment, kind of. So, following this one, I ran downstairs in a towel to check the notches on the sleeve. A bit tricky when you’ve clipped all the seams (doh!) but sure enought, that’s exactly what I’d done.

red rose lawn dress

You’d be forgiven for thinking that that was the end of my dippiness. But oh no no no. Having unpicked them and swapped them over, I then proceeded to pin the hem edge of one of the sleeves to the armhole. Can’t believe I openly admitted that. But better out than in, I say!

red rose lawn dress profile

Quite a bit of hand stitching re bodice lining to armscye and waist seams and hand hemming. Only because I feel like I’m cutting corners if I do otherwise. But I have temporarily machined the sleeve hems just because at that point, Mr O was politely tapping his foot with a camera round his neck.

Best not upset the photographer, hey?!

red rose lawn dress on the kerb

The dress that nearly wasn’t

. . . but I’m so glad it is!

Spotty rose dress

Following on from the vintage rose print dress, I fully intended to make the next one from some gorgeous red rose cotton. But I knew I should improve on the fit of the bodice beforehand. I’ve turned once again to my trusty Elisalex bodice pattern. Why fix it if it’s not broke, I say!

I’ve taken the advice from the By Hand London site to perform a full bust adjustment. Something I never thought I would ever need to do for me. But on closer examination of my last version, and the one before, the upper bust was defo a tad too big whilst the fabric was more than snug over ‘the girls’. I’ve always gone by bust size and increased the waist, but never thought to go down a size and increase bust and waist. More than anything I plainly couldn’t be arsed! I must also learn to take bust measurements with whatever bra I mostly intend to wear!

Well. Big fat lesson learned. I now have a properly fitting bodice pattern that fits under arms, across chest, over bust and waist. Not bad for 2 years of (not) trying!

properly fitting bodiceAnyhows. This is not the reason that this particular dress didn’t happen. This spotty rose fabric has been sitting in the bottom of stash mountain for eons. I bought it from a charity shop and quickly decided it would only ever be suitable for a toile after doing a burn test.

Let’s just say I nearly burned down the kitchen in the process. Once the flames died down and the stinky fumes dispersed, my science test revealed that this fabric was totally synthetic and was never going to be acceptable in sweaty weather.

So I used it, with my dramatically altered bodice pattern to make a toile. Really not bothered if at first I didn’t succeed. I really didn’t want to cut into the lovely red fabric without knowing the alterations worked. But they did. Clearly. And all of a sudden I can forgive the fabric for being so unnatural! It’s amazing how blurred one’s vision gets when one is blinded by a darned good fit! I really must learn to be so snobby about fibre content!

front view of spotty rose dress

That said. I am still holding out for some 100% cotton gingham. How hard can it be? A sleeveless number in poly is fine but I can’t imagine having a sleeve, however short, in such close contact with my pits, in summer!

I wore it out to the park today in a sticky 26 degrees. Extreme test for a plastic dress. But because the skirt is so full and the fabric is so thin, it was remarkably cool.

Wearing the dress in Ravenscourt Park Gardens

Smelling the roses

I am still going to do the red rose version but I’m so pleased with this Brucey bonus one that I landed up with in the process! It has a 1950s vibe to it and of course is the perfect base dress to accessorise with a pair of crazy heels.

spotty rose dress

These heels being of the pink, furry leopard-print kind, of course!

sitting pretty on the doorstep

spotty rose dress

And I think you’ll agree that Mr Ooobop worked his magic as usual!

On winning my most favourite pattern yet

Butterick_547I do worry myself sometimes. It’s not as if I don’t have enough patterns. It’s not even as if I don’t own any lovely vintage coat patterns. They just weren’t the right ones. And I just didn’t know it until I saw this one. And I wanted it.

The trouble is, someone else clearly had the same line of thinking, and that person wanted it badly too. We went head to head on Ebay. I even warned my prospective opponent up front, via Twitter, that I really really wanted it. But when the bidding reached £40, still with 3 days to go, I decided to back out.

But I dreamt about the finished coat in the meantime. I had a vivid dream of twirling in a garden. Heaven knows where I was. That was beside the point. It was enough of a sign that I had to get back on that bidding horse. After all, how much in real money would a ready made coat like that cost me in real life? I bags I couldn’t even find one to fit so perfectly for any money.

But I wasn’t that hasty, oh no. I did a frantic 2-hour search online just to check that there wasn’t the self same pattern in hyperspace ready to pop in my shopping cart for a fiver. Of course there wasn’t. In fact there wasn’t a single solitary fitted coat pattern remotely similar, anywhere on the web. I guess that’s why I had such a fiesty opponent to deal with.

Anyhows. To cut a long story of a 7-day bid a little bit shorter. I won this gorgeous pattern for a princessly sum of £50. It made a giant hole in my monthly budget and It’s true to say I would have happily survived without it. But I don’t regret it one tiny little bit.

I’m casually stroking wool in all my local fabric shops. Doing the sums and still constantly dreaming of twirling around in the finished article. But I have to say, it’s doing nothing to help me keep cool at night, I can tell ya!

Speed sewing for summer!

vintage rose dress

I am so loving this heat. You won’t ever hear a moan from me, however hot it gets. I’ve had my fair share of cold to last me a lifetime. My pace has slowed, my skin is glowing, my nails… I’ve actually got some. Bring on that Vit D, baby!!

My only gripe – well it’s not even a gripe, really – is that I don’t have nearly enough summer dresses. It’s only ever been necessary to make 1 or 2 with such poor rubbish excuses for summers that we have.

I had a lovely Email from a very dear friend last week, asking if I’d like to take care of his aunt’s sewing patterns and best of all his aunt’s beautiful sewing box. A no-brainer of course. The patterns, the box and it’s surprise contents are so deserved of their own post but what I do have to show you for now is the dress I ran up in haste this weekend for our lunch date with Nigel.

I cut it out on the Thursday night, sewed it together on the Friday night (legged it down to the market on Saturday morning to get a zip) inserted said zip and hemmed it up before our lunchtime jaunt to a lovely converted cricket pavillion pub for lunch.

vintage rose dress

In order for that kind of magic to happen I had to use a tried and tested bodice. And that of course is all credit to the lovely Elisalex pattern, brilliantly crafted by ByHand London. I replaced the skirt with a gathered rectangle using the full width of the 45″ fabric, and making good use of the selvedges to minimise neatening of so many raw edges!

I’ve had the fabric in Stash Mountain for so long, it felt like the dress was for free too, which is always a bargain!

Of course there were corners to be cut, namely a machined hem and I dodged hand stitching the bodice lining to the skirt seam. Don’t judge, just yet! This will most definitely be rectified as the complete sewing snob inside of me cannot stand to see that stitching. It’s just not right!

vintage rose dress detail

I’ve got another in the pipeline too, using some lighter weight cotton in a red rose print. Only this time I’m going to take the sound advice of BHL’s FBA instructions and give the girls an extra inch!

Is anybody else speed sewing for summer?

When I got back home I had a good old rummage in that lovely old sewing box. It was hours before I came up for air!

sorting vintage buttons

Me Made May 13: My final days

So here we are. The final days of Me Made May ’13! I feel quite sad in a way. But relieved. And accomplished. And enlightened. So thank you SoZo for setting this brilliant challenge. I didn’t realize quite what a knock on effect it would have. Or how it would make me feel. I wholly recommend this challenge to anyone who has yet to take the plunge. 

I really didn’t think I would make it to the end of the month. For sure there were repeats and some days no photo evidence at all. In reality, taking a photo of yourself every day is really difficult. Easy at first with all the initial enthusiasm for the challenge but then harder each day as the sun disappears, the hubby sets of earlier for work and the outfits get more tight-fitting the older they are!

But the journey was worth it. It was fantastic to focus each day on each hand made garment and realise where I’ve come from and what I’ve arrived at. Confirmation on what I’ve learned and achieved was invaluable. I don’t have time to stop and think properly about most things these days, especially what I’m going to wear on any particular day. So this was a fantastic excuse for self-indulged focussing, on past experience as well as some future plans. Oh yes, of course the flip side of the coin has meant my project list has increased ten-fold. But hey that list always makes for sweet dreams, if nothing else!

So to wrap up… the final days of  Me Made May ’13.

Jersey cowl neck top

DAY 22: Silk touch jersey cowl top and wool pencil skirt
Neither of these are blogged, I made them so long ago. But the cowl top is made from a free pattern on Burdastyle by Ichigogirl. Its the same as the stripy one I made. The skirt is a Simplicity pattern that my mum gave me to kick start my sewing antics. It has a little vent on the front knee. I didn’t line it, unfortunately and this is something I would never do with wool now. I should really go back and line it. It would hang much better and not stick to my tights!

Day 23 black self-drafted pencil skirt

DAY 23: Black self-drafted pencil skirt
This is possibly the most worn and practical of garments in my wardrobe. It fits like a glove, because I drafted it to my exact measurements. It’s properly lined and the lining is even properly attached to the vent. The waistband incorporates a woven interfacing so it doesn’t roll and is fastened by a hook and bar instead of a rubbish ‘eye’! It was a fantastic learning curve making this skirt. So absolutely worth all the effort that it feels fantastic to wear. I always imagined a whole weeks worth of these to choose from and I still think that is highly necessary. They are perfect work skirts and glam up nicely for a spontaneous evening out too!

DAY 24: Stripy wool mini A-line skirt
A miserable day. No sunshine at all, so the woolly skirt came back out. No photographer today I’m afraid. I’ve come to realise how much I wear this skirt. Mostly when I can’t think of anything else to wear. It fits; it’s comfortable; it goes with DMs… and it keeps my butt warm!

Day 25 mmm13 Elisalex shortened

DAY 25: The shortened Elisalex
Today was the 20th anniversary of the day my dad died. Always a sad day. But always a good excuse to don a pretty dress and catch up with my wonderful brothers and sisters, nieces and nephews. The cemetery is a bit of a trek from the bus stop so I needed to sport something easy to walk in. Small heels means small skirt in my world so there was only one thing to do. And that was to chop the bottom off my test Elisalex dress! So glad I did. The duvet cover did good! Although I love my longer rosy version, it’s kind of ‘for best’ but this cheeky little version is now a great little throw-on when-the-sun-shines-and-go dress!

DAY 26: Grey pencil skirt
No photographic evidence today. I wore the first pencil skirt I ever drafted which still fits pretty well. Its lined but has no vent. I was taking things one step at a time back then and to learn to create a vent was information overload! I have to take pigeon steps but it still works. It’s a good staple, though a little boring. It’s days are numbered as soon as the others are on the cutting table!

Day 27 goat eating dress

DAY 27: First summer dress of the year
Today we went to the Surrey County Show. An ideal place to sport a full on flowery frock. Not such a great idea to wear in the goat tent though! Note that Mr O sought his photo opportunity before letting me know what was occurring! I still love this dress but I need to take some volume out of the back. I didn’t notice before but it gapes at the zip. I’m pretty sure its a simple fix. And hopefully it will fit better.

Day 28 Danielle dress

DAY 28: Danielle dress
Now here’s a blast from the past. Almost 2 years ago to the day. It was a bit of a squeeze, I can tell you. So much wrong with this dress but I still like the vibe of it. The fabric was a charity shop find, unsure of the content but it’s soooo itchy and scratchy. I thought I was being out there by using red lining but that turned out to be a no-no with the pale open weave fabric on the skirt! I can’t really breathe in this dress and you can tell by the pull across my chest but this dress is a lovely reminder that I should make another that fits in a much lovelier fabric.

Day 29 button back top

DAY 29: Button back retro top
I was fast running out on day 29 so it was a great propmt to rectify some issues with some garments I don’t tend to wear any more. This one in particular was really annoying to wear because I made the neckhole too small. I really liked the jewel neckline but in reality it kind of chokes you to death. Only problem was that the first buttonhole started right at the top, so to lob a centimetre off the neckline would halve my first buttonhole. My need to wear a me-made top spurred on a quick fix and I replaced the buttonhole with a press-stud and sewed the button on top so nobody will ever know!

Day 30 vintage pencil skirt with pockets

DAY 30: Vintage pencil skirt with pockets
Not yet blogged but again, a hurried make out of desperation but boy I’m glad. I’ve been meaning to make this for yonks! It still needs some fine tuning and this is really just a test garment but I will fill in the details when I blog it. But what’s more to say? Its a pencil skirt with pleats and front pockets… hooray!

Day 31 1940s shoe dress

DAY 31: 1940s shoe dress again!
A shameless repeat but one I’m prepared to wear again and again. This is by far one of my favourite dresses. It gets comments from total strangers as I stroll down to Sainsbo’s. It’s cool and comfy and is covered in shoes! This is the item of clothing that I need at least 5 more of. Along with 7 pencils skirts, my wardrobe should have at least 7 of these too!

And so we leave the month of May and venture on to pastures new. A prom dress for my friend’s daughter is on the go, FBA’s and all, a bespoke pencil skirt for my daughter’s birthday present and another that was bid on by my friend at the school auction. (Far too nervous to ask what she bid!)

Thank you as always for your wonderful comments and support x

Me-made May’13: My first week
Me-made May’13: My second week/
Me-made May’13: My third week/