A festive full circle

Here’s a little something that wasn’t on my mahoosive Christmas to do list! So it’s a small miracle that it’s being blogged here and now. Each and every year at around about this time, I say out loud, over and over that next year I will start earlier with Christmas prep: do my accounts in September, the Christmas presents in October, get the cards sent in November and not take on quite so much work so I can ease in gently and revel in the lead up! Perhaps next year I might take note.

So with all this month’s stressy stuff going on, how on earth did I get it together to make anything new? I stole sleep. Robbed it, right from under my own nose. Three whole precious hours. Doesn’t sound like much in the grand scheme of things but when you are only averaging about five to six as it is, the motive would have to have been significantly necessary. Well I did need an outfit for the office lunch!

I’d like to say it was an impulse make but to be honest I spend a lot of time dreaming about what I want to make so when I eventually get round to making it, it feels like I’ve made it before, at least 4 or 5 times in my head!

I love the Westwood/punk/vintage/rockabilly vibe of tartan. I know that it has deeper, traditional roots and I even have some distant Scottish blood so it feels highly appropriate and very festive!

The skirt is self-drafted full circle with a waistband and lapped zipper. I didn’t line it and chose, instead to finish the insides with Hong Kong seams and a bias finished hem. I feel slightly guilty for machining the hem but I think that’s a small price to exchange for some shut-eye! I’m wearing a tiered organza petticoat underneath. Just one layer. Just to give it a bit of poof!

And I went for a shorter length this time. I’ve recently been hooked on below the knee pencil skirts so this 17 incher feels much more party like. Just had to be ready for any embarrassing fashion blunders in this blustery weather.

Tartan was most definitely the right fabric for the job.
The drape is perfect.
It doesn’t need lining.
Its a dream to sew.
Bit fraying but with quick work and seam binding , that’s not really an issue.
It doesn’t crease
Its totally machine washable.
It only took a metre . . .
. . . and only cost a fiver!

I didn’t have too much trouble lining up the horizontal patterns but if I allowed a bit more time I could have evened up the design at the sides a bit more. I did however leave it to hang for the statutory 24 hours before trimming and hemming. I know how worth it that bit is now!

I can’t see me getting anything else sewn this side of Christmas, unfortunately. I simply have no idea how I thought I might have chance to finish my coat. The muslin is made and I know what adjustments I need to make but the fabric is going to be looking longingly at me for a few weeks more, I think.

So in the meantime I will just have to resign to the wardrobe what is and twirl in my new tartan . . . while I’m running around like a headless chicken!

Thanks as always to the fabulous Daniel Selway for his tireless photography favours.
And also to the wonderful Jayne Hepsibah-Sullivan whose Hepsibah Gallery window makes a perfect backdrop!

The dress that nearly wasn’t

. . . but I’m so glad it is!

Following on from the vintage rose print dress, I fully intended to make the next one from some gorgeous red rose cotton. But I knew I should improve on the fit of the bodice beforehand. I’ve turned once again to my trusty Elisalex bodice pattern. Why fix it if it’s not broke, I say!

I’ve taken the advice from the By Hand London site to perform a full bust adjustment. Something I never thought I would ever need to do for me. But on closer examination of my last version, and the one before, the upper bust was defo a tad too big whilst the fabric was more than snug over ‘the girls’. I’ve always gone by bust size and increased the waist, but never thought to go down a size and increase bust and waist. More than anything I plainly couldn’t be arsed! I must also learn to take bust measurements with whatever bra I mostly intend to wear!

Well. Big fat lesson learned. I now have a properly fitting bodice pattern that fits under arms, across chest, over bust and waist. Not bad for 2 years of (not) trying!

Anyhows. This is not the reason that this particular dress didn’t happen. This spotty rose fabric has been sitting in the bottom of stash mountain for eons. I bought it from a charity shop and quickly decided it would only ever be suitable for a toile after doing a burn test.

Let’s just say I nearly burned down the kitchen in the process. Once the flames died down and the stinky fumes dispersed, my science test revealed that this fabric was totally synthetic and was never going to be acceptable in sweaty weather.

So I used it, with my dramatically altered bodice pattern to make a toile. Really not bothered if at first I didn’t succeed. I really didn’t want to cut into the lovely red fabric without knowing the alterations worked. But they did. Clearly. And all of a sudden I can forgive the fabric for being so unnatural! It’s amazing how blurred one’s vision gets when one is blinded by a darned good fit! I really must learn to be so snobby about fibre content!

That said. I am still holding out for some 100% cotton gingham. How hard can it be? A sleeveless number in poly is fine but I can’t imagine having a sleeve, however short, in such close contact with my pits, in summer!

I wore it out to the park today in a sticky 26 degrees. Extreme test for a plastic dress. But because the skirt is so full and the fabric is so thin, it was remarkably cool.

I am still going to do the red rose version but I’m so pleased with this Brucey bonus one that I landed up with in the process! It has a 1950s vibe to it and of course is the perfect base dress to accessorise with a pair of crazy heels.

These heels being of the pink, furry leopard-print kind, of course!

And I think you’ll agree that Mr Ooobop worked his magic as usual!

First summer dress of 2013

What a gorgeous day it was in London today. I couldn’t believe that I actually didn’t need a coat for the first time this year. I can even feel a little after-sun tingle on my skin.

And what perfect timing I might add, to showcase my first summer dress of 2013!

My Mister and I, along with our trusty assistant, LMO, decided to take a walk over Hammersmith Bridge to take the photos. And to stop for some lovely lunch at The Bridge in Barnes. (highly recommended, I might add!)

Hammersmith Bridge is my favourite bridge of all. A Shame we didn’t get any of it in its entirety but if you Google it, there are a gazillion great pictures of it out there.

What I didn’t know about it was that there are some ‘viewing benches’ on the bridge itself. Scarily placed right up to the roadside but with such a lovely view of the river. And obvs a great place to take a picture!

Amazing how much prettier the Thames looks when there’s a bit of sunshine!

From Hammersmith Bridge Mr Ooobop insisted we take some shots in the Launderette. Not the most glamourous of locations but I’m so happy that it helped to project the vintage feel of the dress.

The dress itself is half derived from Simplicity 2442. I used this pattern for the bodice section:

I was the lucky recipient of this, plus a whole bunch of other goodies from Sew Magazine when I won Star Letter, back in October 2011. You can see the generous prize haul here.

I did have my doubts concerning gaping necklines and dodgy pleat placements but all it took to get over the fear was one toile, which also helped to reassure that it wasn’t going to take too long to whip up either. I can’t say exactly how long it took because I have been sewing in such little bursts over the last few weeks, in between shed loads of work.

I love the crossover straps at the back but I must find me a decent strapless bra. I’ve just tucked in the straps of my regular bra so they don’t show. But there was a going concern that it would end up round my waist at one point!

This pic is Mr O’s fave. Personally I think I look a little psychotic!

After much deliberation, mostly on Twitter, I decided to add a dirndl skirt to the bodice. I didn’t like how the suggested skirt was neither full nor straight. I felt it wasn’t extreme enough for the fabric I’d chosen or the vintage vibe that I wanted. I considered a circle skirt and nearly went for that, fearing too much bulk around my waist but I needed more than 3m to achieve that.

A dirndl still gives a great shape. I think you just have to make sure that the bodice is not too long otherwise the fullness sits over the belly and that’s not a good look on anyone!

I lined the whole dress in red. I wasn’t going to line the skirt section at first but I remembered how, as full as skirts are, if they are made of cotton they cling like Billy-o to your tights! I also added a bit of ease in the depth of the midriff lining to prevent the outer fabric of the midriff from puckering.

I also took great care in under-stitching the lining on the bodice top edge so it didn’t peek out.

I’m so happy with how this dress turned out. The bodice fits and feels great. Can’t wait to try with a circle skirt and perhaps even a long evening dress in some silk velvet? As if my list isn’t long enough!!

I can’t possibly round off this post without a shout out to the amazing Dolly Clacket. She without doubt has been a massive inspiration whilst I’ve been dreaming up this dress. If you haven’t had the pleasure of seeing her wonderful 50s style tea dresses, hop over and have an oggle. They are gorgeous!

ooobop! gypsy top #2

There is something quite comforting about visiting an old pattern. I made my first gypsy top almost a year ago and not only have I had great use out of it, it made a great addition to Dorothy’s ensemble too! Once again I used Butterick B4685, Fast and Easy… and indeed it was.

I used view D this time but omitted the front lace panel. I did originally include the underbust elastic but when I tried it on, tucked in a skirt, which is mostly how I intend to wear it, I looked a little (more) like the Michelin Man! So out came the elastic, quicker than when it went in!

I used a remnant of cotton gingham that I picked up from Oxfam, and used every last bit of it! So very satisfying especially as I’ve since found that 100% cotton gingham isn’t that easy to get hold of. Well not in a choice of colours. Despite my local plethora of fabric shops, they all stock poly cotton gingham, for the demand of school dresses, apparently. It looks just as pretty for sure but pure cotton feels so much nicer against my skin.

I prefer the sleeves and the simplicity of this style. Its less fussy and so quick to make up. I am going to make a few more, lined up for summer, and my eldest daughter has put an order in for one too.

It also made sense to enter this into Made by Rae’s Spring Top Sewalong 2012, just as I did last time round. Its not nearly up to the standards of most of the beautiful tops over there but I’m liking the annual inspiration of creating a new tops for Spring all the same! You can see this and all the other entries over at Flickr. My entry has been successful so I will keep you posted when it is time to vote! 😉

I wore it out to a trip to the Tate Modern yesterday with Mr and Little Miss Ooobop! and I have to say it is perfect gallery wear. It’s always soooo hot and stuffy in the galleries. The artwork made for a choice back drop too!

Hope you are all having a wonderful Easter break 🙂